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・ Art Beaumont
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・ Art belongs to the people (Leningrad, 1977)
・ Art Benedict
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Art Blakey
・ Art Blakey Big Band
・ Art Blakey discography
・ Art Blakey et les Jazz-Messengers au club St. Germain
・ Art Blakey in Sweden
・ Art Blakey!!!!! Jazz Messengers!!!!!
・ Art Blakey's Jazz Messengers with Thelonious Monk
・ Art Bleeds
・ Art blog
・ Art Boileau
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・ Art Bramhall
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Art Blakey : ウィキペディア英語版
Art Blakey

Art Blakey (Arthur Blakey; October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was known as Abdullah Ibn Buhaina after he became a Muslim.〔
Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He worked with bebop musicians Thelonious Monk, Charlie Parker and Dizzy Gillespie. In the mid-1950s Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The Messengers were formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the Jazz Messengers "the archetypal hard bop group of the late 50s".〔
He was inducted into the Down Beat Jazz Hall of Fame (in 1981),〔 the Grammy Hall of Fame (in 1998 and 2001), and was awarded the Grammy Lifetime Achievement Award in 2005.〔 He was inducted into the ''Modern Drummer'' Hall of Fame in 1991.〔(【引用サイトリンク】 title= Modern Drummer’s Readers Poll Archive, 1979–2014 )
==Childhood and early career==
Blakey was born on October 11, 1919 in Pittsburgh, Pennsylvania to a single mother, who died shortly after his birth.〔〔 He is described as having been "raised with his siblings by a family friend who became a surrogate mother"; he "received some piano lessons at school", and was able to spend some further time teaching himself.〔 According to Leslie Gourse's biography, the surrogate mother figure was Annie Peron. The stories related by family and friends, and by Blakey himself, are contradictory as to how long he spent with the Peron family, but it is clear he spent some time with them growing up.〔
Equally clouded by contradiction are stories of Blakey's early music career. It is agreed by several sources that by the time he was in seventh grade, Blakey was playing music full-time and had begun to take on adult responsibilities, playing the piano to earn money and learning to be a band leader.〔〔〔〔 He switched from piano to drums at an uncertain date in the early 1930s. An oft-quoted account of the event states that Blakey was forced at gunpoint to move from piano to drums by a club owner, to allow Erroll Garner to take over on piano.〔〔〔〔 The veracity of this story is called into question in the Gourse biography, as Blakey himself gives other accounts in addition to this one.〔 The style Blakey assumed was "the aggressive swing style of Chick Webb, Sid Catlett and Ray Bauduc".〔〔
From 1939-44, Blakey played with fellow Pittsburgh native Mary Lou Williams and toured with the Fletcher Henderson Orchestra. While sources differ on the timing, most agree that he traveled to New York with Williams in 1942 before joining Henderson a year later.〔〔〔〔 (Some accounts have him joining Henderson as early as 1939.〔〔〔) While playing in Henderson's band, Blakey got into a scuffle with Georgia police〔 and suffered injures that got him declared unfit for service in WWII.〔 He then led his own band at the Tic Toc Club in Boston for a short time.〔〔〔
From 1943-47, Blakey worked with Billy Eckstine's big band.〔 Through this band, Blakey became associated with the bebop movement, along with his fellow band members Miles Davis, Dexter Gordon, Fats Navarro, Dizzy Gillespie, Charlie Parker and Sarah Vaughan among others.〔〔〔
After the Eckstine band broke up, Blakey states that he traveled to Africa for a time: "In 1947, after the Eckstine band broke up, we -- took a trip to Africa. I was supposed to stay there three months and I stayed two years because I wanted to live among the people and find out just how they lived and -- about the drums especially." Blakey is known to have recorded in 1947, 1948 and 1949.〔 He studied and converted to Islam during this period, taking the name Abdullah Ibn Buhaina, although he stopped being a practicing Muslim in the 1950s〔 and continued to perform under the name "Art Blakey" throughout his career.〔
As the 1950s began, Blakey was backing musicians such as Davis, Parker, Gillespie, Bud Powell and Thelonious Monk;〔 he is often considered to have been Monk's most empathetic drummer, and he played on both Monk's first recording session as a leader (for Blue Note Records in 1947) and his final one (in London in 1971), as well as many in between.〔 Blakey toured with Buddy DeFranco from 1951 to 1953〔 in a band that also included Kenny Drew.〔

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